Associate Professor, Indiana University
Anthropology PhD, 2002
My research centers on the popularity of a range of Jamaican cultural forms in Japan, mainly roots reggae, dancehall reggae, and Rastafari. I approach this research from several theoretical perspectives. I use performance studies, for instance, to ethnographically explore the issues of social power—particularly those surrounding life in recessionary Japan—that inform Japanese performative engagement with these cultural forms. Japanese practitioners of profoundly Afrocentric Rastafari afford analysis of how ideas of race and particularly blackness have been constructed and re-imagined around the globe. In a more recent line of research, I have shifted geographical perspectives from Japan to explore the Japanese community in Jamaica, one primarily centered on an interest in learning Jamaican culture at its source. In a second, new line of research, I trace the development of human rights discourse in Jamaica, particularly on the grassroots level.